Description:
Blonde (wigged) and beautiful New York City model Sharon Kent (who was also a favorite of Barry Mahon) stars as Ann, a lovely secretary whose life is perfect. Her best friend Babs (middle-aged and buxom Jackie Richards) works with her in a friendly office and her boyfriend Bob recently proposed to her. Her world comes crashing down around her, however, when a creepy bespectacled geek (Wishman regular Michael Alaimo) begins stalking her. Through a supernatural mishap (which is never explained, but who cares?), the stalker finds a blonde doll and a tacky ring in the garbage can and suddenly, everything he does to the doll, Ann can feel being done to her! As the loser whips, feels up, undresses and puts a cigarette out on the doll, Ann feels every bit of it, and begins to believe her mind is unraveling. Babs is too busy whoring it up with a foreign sleazeball (Buck Starr, of TOO MUCH, TOO OFTEN) and Bob is away on business. Can she escape this hell?

INDECENT DESIRES is well-known to most cult film viewers, even if they don’t realize it. Clips of creepy Michael Alaimo stripping the clothes off a doll and heroine Sharon Kent with her head cocked at an odd angle have appeared in Something Weird’s trademark clip trailer, so it’s great to see one of Doris’ best get the digital treatment. Those familiar with the Wishman universe will be surprised to note that there are few pointless cutaway shots to injavascript:void(0)animate objects, feet and the dubbed dialogue is matched with the actors’ lips, making this one of her most technically accomplished films. Cinematographer C. Davis Smith was always in top form working on his many Wishman films, and his swooping hand-held camerawork is in full force here, including many breathtaking time capsule shots of New York City and effective close-ups of the characters, the mysterious doll and fabulous shadowy lighting. Sharon Kent, whose statuesque form graced many New York City-area skinflicks, gives a surprisingly good performance here, even though her hysterics can be a little ridiculous at times, and has never looked more beautiful. Thirty-something Jackie Richards was one of the oldest women in sexploitation, but that didn’t stop her from flaunting her naturally large bust in countless nudie films of the mid-to-late-60s. Smith directed her film debut, ALL MY MEN, a year earlier, and may have been the person to recommend her to Wishman for this film, where she has a well-photographed love scene and performs nude exercises directly into the camera lens! A pretty non-descript title hides behind it a vastly entertaining and never boring roughie, with supernatural themes and a typical downbeat Wishman ending. Highly recommended!

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https://www.oboom.com/BDB8FCN2/Indecent_Desires_1967.avi

742MB
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PLOT SUMMARY
Vintage porn from the silent era in which the initiation of a neophyte into a satanic cult turns into an orgy.

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Luigi is engaged to Cinzia, he has a good job and his life runs quietly. But unexpectedly his cousin Sonia knocks at his door. She lived in Venezuela with her parents but they have disappeared and she came back to Italy. She is very young and beautiful and once she loved Luigi. What is he to do?

This film directed by legendary Sergio Martino cannot be compared to his giallo masterpieces of the past but, viewed as an example of the late period of Italian thriller, it has some entertainment value. The movie tells the tale of a young successful Italian Luigi whose career and personal life are turned completely upside down by the arrival of his cousin Sonia. After returning from Venezuela where she experienced something unpleasant involving her family, the voluptuous young girl is allowed to stay in Luigi’s apartment and soon an intimate relationship develops. Sonia seems to have power over Luigi, who cancels his planned engagement, thus embarrassing the parents of his original girlfriend.

Sonia, who convinced Luigi there is no blood tie between them thanks to adultery in their family history,contrives daring sexual adventures and brings excitement into Luigi’s life,she even gets Luigi involved in a robbery, just for kicks. Poor Luigi doesn’t know that thanks to her mental disease, Sonia can get extremely jealous and is capable of cold blooded violence when she’s under strain … The movie focuses mainly on the interactions of characters and Sonia’s malignant influence on Luigi’s behavior,although it doesn’t lack blood and several instances of violence committed by a female character for once. In the most disturbing scene of the movie, Sonia tells Luigi she used pieces of a murdered girl’s corpse as ingredients for her meals… The Czech Republic saw a VHS release of “Craving Desire” in 1995.

http://www.nitroflare.com/view/7B41DAFBF4158F8/craving.desire.1993.dvdrip.xvid-cg.avi

http://keep2s.cc/file/311900093656a/Craving.Desire.1993.DVDRIP.XViD-CG.avi

Language:Italian
Subtitles:None

Unfortunately, the world of erotic cinema is quite often left behind as the bastardized stepchild of pornography. As long as they’ve been making films, they’ve been making erotic films. Films intended to stimulate or excite the viewer but at the same time, films that are a very important part of cinematic history, and are not to be discounted. They’re not all winners, but there certainly are some diamonds in the rough to be found. Real films with real characters and real stories to be told… not just sex for the sake of sex and more often than not little to no hardcore elements. One of the true classics of erotic cinema has finally surfaced on domestic DVD, The Story of O… let’s take a look.

The title character is only known as “O” (played by the lovely and talented Corinne Clery) and the story revolves around “O” being brought to a chateau of debauchery by her lover played by Udo Kier. It is here that “O’s” love and devotion (as well as endurance) to her lover will be put to the test as she will be ravished, whipped and sexually tortured by many a man, as they may take her as they please. It’s once “O” leaves the confines of the fantasy chateau (and returns to her gig as a fashion photographer), things start to get really out of hand. The borrowing of “O” did not end when she left the chateau, as the sexual misadventures will go on. The question is where does “O’s” devotion lie? Is she really testing her devotion to her lover by experiencing these sexual escapades or is she looking for an excuse to attain the sampler platter? Will “O’s” devotion for her lover remain or will she fall in and out of love with others? Worst of all, will she lose her faith in men altogether when she finally realizes that she may have just been used as an object all along? All of these questions and more will be answered by the time the end credits roll, you won’t find the solution here (that would be the easy way out).

What makes “O” different from your standard late night “Skinemax” fare or more importantly hardcore pornography? The answer lies within the films seriousness and classy execution. I mean sure, there’s plenty of nudity and sexual situations, but it’s never overly excessive and most importantly it’s an imperative piece to the puzzle that is The Story of O. Like many of the erotic films of the time (films by Franco, Rollin or Metzger to name a few) The Story of O, to put it bluntly is not purely crank material, there’s much more going on here than just an aid for manual stimulation. This is a beautifully shot and executed film, one that’s certainly not to be missed.

Piece together incredible sets and atmospheric locations, intricate costumes a smart script and sympathetic (well acted) characters and you’ll start to get the idea of what makes a film like The Story of O so special. These elements allow The Story of O to transcend the normal output of a skin flick, a virtue that seems to have been almost lost when it comes to erotic films of today. This is a flick that isn’t dank or dirty, not in the least. If anything, The Story of O is a shining example of just how good erotic cinema can be.
[...]
Lawrence P. Raffel @ Monsters at Play

http://www.nitroflare.com/view/61B9C2795498CE2/1975-histoire-d-o-aka-the-story-of-o.mkv

http://keep2s.cc/file/0eae7178ded49/1975_Histoire_d%27O_AKA_The_Story_of_O.mkv

Language(s):French, English, Polish
Subtitles:English

This is a story of love and lust shaded with overtones of incest and lesbianism. Livia is a woman trying to regain the affections of her husband Alberto, whose journalism career takes him away for months at a time – on purpose. What she does not know is that he has an undeniable attraction for their daughter Monica. Livia’s own sexual eccentricities lead her to hire young women to have sex with Alberto while she listens in hiding. When Monica wants to get into the act too, the real truth about her parentage is revealed. (IMDb)

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Language(s):Italian
Subtitles:English (optional)

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Kidnappings, murders and gang war for the control of a drug traffic…

There’s really a unique touch in those early Bénazéraf movies. You’re a bit somewhere between thriller, exploitation and Nouvelle Vague…
As I understood, the version released in the US already on the site is severely cut and suffers from a ludicrous English dubbing. The movie certainly deserves better than that…

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http://www.nitroflare.com/view/F2DAC517E0D56FF/le.concerto.de.la.peur.1963.dvdrip.xvid.asj-cg.srt

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http://keep2s.cc/file/7a97811c6aed7/Le.Concerto.de.la.Peur.1963.DVDRiP.XviD.ASJ-CG.srt

Language(s):French
Subtitles:English .srt

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Plot Summary:
A sailor takes an American businessman and his girlfriend to an island where the businessman wants to build a resort. Soon a weird voodoo couple show up and warn them of bad things that are going to happen. It doesn’t take long for the zombies to show up and start chowing down on human flesh. The main characters do manage to fit in quite a bit of sex though.

Review:
One of the most interesting consequences of the brief period of “porno chic” in the early 70s was the resulting effect on the Italian exploitation industry. Never quick to miss an American cinematic “craze”, a lot of film-makers found themselves curiously crossing genres and stuffing hardcore porn into other genres, as well as vice versa. The absolute master of this was the ubiquitous Joe D’Amato, and here he fuses porno with the zombie movie (which at the time was in the midst of enormous popularity in Italy).

THE EROTIC NIGHTS OF THE LIVING DEAD was shot back-to-back with the similar, but more sex-oriented, PORNO HOLOCAUST. In its full uncut form, the scenes of XXX are strangely innocent. There are a few explicit shots here and there, but no actual “penetration” (other than when one of the female characters hilariously opens a bottle of champagne with her genitalia!), plus many of the scenes seem to cut away at strange times. Whether this is due to an incomplete review print (a Midnight Video release, clearly made from two different prints spliced together) isn’t clear. What is obvious is that as a sex movie, this fails horribly. Many of the “erotic” scenes also fall victim to Luigi Montefiori and Laura Gemser’s obvious unwillingness to perform in hardcore sequences. Many of the sex scenes are made up of Montefiori watching a female character masturbate, before pretending to have sex with her- often without removing his trousers first!

The real benefit for Massacessi is that the sex allows him to pad out a horror movies that, in actuality, has only about 30 minutes of material. Almost all of the first hour revolves around sex, and the “horror” portion of the story really only kicks in after that. Massacessi was the first to admit that horror was not his forte (although after seeing this, it has to be said that porn clearly wasn’t either!) and by structuring his film in this way, he can basically cover up his shortcomings whilst still producing a marketable zombie movie.

Still, as ever, this is strangely enjoyable. The final 30 minutes is actually quite atmospheric, and there is some nice gore in there. I hear that this movie is very difficult to get hold of in an uncut form (review print was in unsubtitled Italian), but as far as I can tell from my copy, it is certainly worth seeking out as the “cut” print looks absolutely anaemic in comparison…

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Quote:
A group of militant extremists whom we know only by their code names – the days of the week – realize that they’ve been betrayed by their own organization when a nocturnal weapons raid on a U.S. Army base goes awry. The delicate internal balance of trust and friendship splinters apart. Their already fragile, idealistic young psyches quickly disintegrate into a morass of sexual paranoia, violent recrimination and sadistic torture that completely destroys their ability to function as an organization

Quote:
This film is the creation of Director Koji Wakamatsu who, after filming the Japanese Red Army in the Palestinian territories, became a target of both the Japanese government and Interpol, and was blacklisted by the American government. To this day he is unable to leave Japan.

Wakamatsu has been dubbed the “Master of the Pink Movie”, referring to the radical politics and flashy scenes of sex and violence characteristic of his movies. During Japan’s Sixties and Seventies he produced numerous films which were both shocking and celebrated. His film “Affairs in the Wall” (1965) was selected as an entry in the Berlin Film Festival, and his production of Nagisa Oshima’s “In the Realm of the Senses” (1976) received critical acclaim at the Cannes Film Festival. He has directed over 100 films.

Wakamatsu had the opportunity to watch the violent student revolutions in Tokyo during the late 60’s and early 70’s. In interviews he has explained how, while filming what he believed would be a final and deciding clash between students and police, he observed that the student movements ultimately failed to prevail due to their personal allegiances to subgroups within the overall movement. These allegiances fragmented the focus of the movement and allowed police to overcome the crowd. Wakamatsu’s conclusion was that in order for the movement to be successful, it would have had to be a radically individualized, non-allegianced revolution. He fully explores this idea of a radicalized revolution in Ecstasy of the Angels

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Language(s):Japanese
Subtitles:English srt

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Review
By Jane Simon
CHANNEL 4’s Knob Season, which has been running all this week, meets the man who lays claims to an incredible 13 inches. But before you get excited, ladies, you should see the bloke it’s attached to.

Shifty-eyed American Jonah Falcon (right), became a minor celebrity when he was younger but now, at 35, he lives with his mother and resorts to walking the streets of Manhattan in tight silver trousers to get a bit of attention.

We also meet a very charming British porn star from Nottingham named Omar. But broadcasting regulations mean the bits you really want to see are pixillated out anyway. Truth be told, there’s not much to be said about the ins and outs of being able to get part-time work as a tripod.

However, that doesn’t stop this dickumentary from saying it over and over again.

Quote:

No doubt about it, society celebrates the big penis. Seen as a sign of adequacy, virility and manliness, those lucky enough to be well endowed are heralded by both sexes and all sexualities. As women have always maintained, and men have always thought, size matters, but not in the way that most of us imagine. Sometimes having a Big Johnson is a bigger problem than you’d guess. Meet the men, including the man claiming to have the World’s biggest penis, who reveal there is a bittersweet side to nature’s gift, and who lift the veil on a taboo subject and to show the reality of what it’s like to have what all men dream of.

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Imdb user :
Halvar Björks acting in this film must be one of the best ever performed in Swedish film. The film is still very interesting to see. People who can´t appreciate films about persons who are not as superficial and conventional as themselves will of course have some troubles with this film.

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Language(s):Italian (dubbed)
Subtitles:None

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Laura Gemser stars as Emanuelle in one of Joe D’Amato’s better ‘Black Emanuelle’ films, EMANUELLE: PERCHE’ VIOLENZA ALLE DONNE? aka THE DEGRADATION OF EMANUELLE. Released around the world cut to pieces this DVD is Uncut and Widescreen. Emanuelle travels the world once again on a crusading mission to report on the abuse and degradation of women at the hands of male-dominated organizations. At her first stop in India she meets up with George Eastman who plays a guru who has discovered the secret of prolonged sexual pleasure. While at the temple she also meets gorgeous Brigitte Petronio and it’s not too long before both are ‘enjoying’ each other’s company.

While at her next stop in Rome she meets Karin Schubert who gives her a lead about a white-slavery ring. Emanuelle then sets out to take down the evil men behind the ring! THE DEGRADATION OF EMANUELLE is not full of the ‘shock’ scenes that EMANUELLE IN AMERICA is noted for, but it certainly is a much more accomplished movie. There are still plenty of sleazy scenes…but what else would you expect from a Joe D’Amato film? Very highly recommended!”

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Language: English
Subtitles: None

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Review
There are a lot of reasons why you might want to watch this classic late-70’s movie. For instance, you can see four-decade stud Eric Edwards in his prime. Or how about Tia von Davis (the pilot’s wife in The Opening of Misty Beethoven) as the mother who prepares a real dinner on the stove for her movie family during the opening credits? Or you can agonize through the stilted dialogue delivery and the cheesy stage set–both seemingly ripped from Boogie Nights. You can even tell just by listening to the familiar porn beat and flute/electric guitar instrumentals that you’ve taken a trip back to the days of disco.

But the real reason why you’d probably have bought or rented this movie is because of the title or because of the real life twins, Brooke & Taylor Young, who star in this typical Golden Age porno with a perverted twist. No doubt, you’ve heard that unlike most on-screen siblings, the two Youngs actually do get it on with each other. The dynamics of their family in real life must be truly mind-boggling, to say the least! You might think that the girls must be unattractive to have to do each other to make a buck, but they’re fairly cute: petite (though too thin for my tastes) brunettes with short hair and natural tits.

Teenage Twins revolves around the identical twins, playing the characters of Prudence and Hope. As you might guess, Prudence is something of a prude, disapproving of her sister’s loose ways. But it turns out that Pru isn’t as innocent as she claims to be: from masturbating with a Bible to getting fucked in the ass by her stepfather, she’s what the story terms as a “virgin harlot.” On the other hand, Hope is an unashamed nympho, getting eaten out by her sister’s boyfriend and engaging in a threesome with her mom. And yes, the twins do have sex with each other–although it’s probably explicit enough to be illegal in many states, if you take away the fact that they are related, the scene is pretty lipstick lesbian.

The story (yes, there is a story) is that Prudence & Hope’s stepfather, a local professor, has located a copy of the “Necronomicon,” an ancient spell book. While he’s away securing it’s purchase, his research partner, Professor Petrie (Eric Edwards) is having an affair with his fellow academic’s wife (and, his daughter Hope). It turns out that this spellbook makes them do strange things (wow, I’m shocked), including a six-way orgy with all of the members of the cast.

The sex is fairly good if you can get past the family ties and adultery themes. It’s textbook classic porn: you’ve got the traditional camera angles (such as the female POV missionary and side-view insertion), a lot of coverage of facial expressions and softcore footage, and mostly tummy or back pop-shots that come (pardon the pun) spontaneously without any jacking off. Plus, there’s the rare (back then) practices of anal sex and a facial cumshot. But you also have to put up with only fleeting glimpses of the action, really furry muffs, and horribly bad music.

The A/V quality of this VCX release is not very good, but not that bad considering how old it is: the transfer is slightly washed out and milky, and frame jitters slightly, but not to the point of distraction. As expected with VCX releases, the disc is a DVD-R with an inkjet label–beware if your player can’t handle burned discs. And of course, forget about any special features at all, not even trailers.

I’m such a sucker for any Golden Age porn, even the awful stuff, that I actually enjoyed renting Teenage Twins. Beyond the morbid fascination of seeing the twins in the same bed, there’s some solid sex here. But despite the few minutes of anal and the good pop-shot that one of the twins takes, it’s a far cry from the hardcore releases today–both in terms of running time (a short 67 minutes with a lot of dialogue) and explicit content). I’d say give it a watch if you’re a true classic aficionado or if you really have to see identical twin sisters have sex with each other–but you’d better hurry since I suspect that this is one of those titles that will fall victim to increased government scrutiny.
Saki, adultdvdtalk.com, 19th August, 2004

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Henry Paris’ hardcore debut. Made prior to Misty Beethoven, this classic is easily one of the top five adult films of all time. A great supporting cast,including porn vets Georgina Spelvin and Marc Stevens, extremely erotic sex scenes, good acting, a big budget, lots of 70’s in-jokes and the beautiful Barbara Bourbon,in one of her few adult film roles, make this classic a must see for any fan of golden age adult cinema.

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Many famous stars began their career in pornography, Marilyn Monroe being one of the greatest examples, who when financially stable declared she no longer had to gratify the sexual demands of studio executives.

A pornographic short film of Hollywood legend Marilyn Monroe recently surfaced in Spain. This grainy black-and-white footage was made in 1947 when Monroe was 21. The American Film Institute, though has denied reports from Spain that it had authenticated the 50-year-old pornographic film purportedly showing Hollywood legend Marilyn Monroe engaging in a sexual act.

As early as 1944 Marilyn Monroe was in Los Angeles modeling and acting and in 1949 posed nude for Tom Kelley in a series of photographs that would later galvanize her image as a sex symbol and fuel her rise to fame. The late 1940’s was a difficult time for Monroe, having lost her 20th Century Fox contract in 1946 she allegedly returned to less reputable means of making money to support herself.

In 1965, Joseph DiMaggio attempts to buy a so-called “French” type movie featuring his late ex-wife from FBI sources for $25,000. The source refuses to sell. DiMaggio’s offer – 3 years after Marilyn’s death and 10 years after their divorce – is the strongest evidence existing to support the theory that a pornographic movie starring Marilyn does exist. A longtime friend even after their divorce, DiMaggio took part in managing her estate and continued to protect her interests long after her death.

The Museum has taken posession of a film shot in 1948 featuring a woman widely thought to be the late sex symbol. It is the only film for which attribution has not be conclusively verified. While the American Film Institute was hesitant to confirm the identity of the actress in this film, in a 1996 letter they did give indications that they did believe it was her.

“One Monroe stag film remains in dispute, however. Also dated from 1948, this unnamed 16mm hardcore short shows a Monroe-ringer screwing a mustached man on a couch. According to a 1980 Penthouse cover story, a print was discovered that year by a Swedish photographer and subsequently publicized in adult magazines and tabloids worldwide. “Here, in grainy celluloid,” Penthouse wrote next to copious frame-enlargements, “may well be the still unglamorized sex goddess the public never knew, before plastic surgeons, stylists, and designers transformed her into the mythical Marilyn Monroe. It’s a thought to fire the imagination of every man who ever dreamed of her, a fantasy come to fruition.” Another print of probably the same film garnered headlines in industry trades when it surfaced at a Spanish festival for film collectors in 1997. Those who argue the actress is Monroe point to declassified FBI files from 1965 detailing that Joe DiMaggio offered $25,000 for a print of a “French-type” movie depicting Monroe “in unnatural acts with an unknown male.” Its authenticity seemed likely enough for Hollywood’s Erotic Museum to purchase a print, now kept in its collection alongside artwork by Picasso and Tom of Finland.”
Ed Halter, Village Voice: link

more info- The Lost Marilyn’s Movie:link
And for our other feature….

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pw: www.worldscinema.com

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Hervé Lewis is not only a mentor to many stars (Johnny Hallyday, Jean Reno, Emmanuelle Béart, and more), but also a professional photographer. After the success of many renowned advertising campaigns for Aubade Lingerie, Hervé Lewis’ first film, in which he rediscovers the lighting of his black and white photographs, is dedicated to the beauty of women. His pure and poetic images convey an uncommon sensuality, power and intensity. Through Hervé Lewis’ lens, every woman becomes a star.

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Language:No dialogues, music only

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In his new book, the fifth to date, Roy Stuart hones this exploration into something more forthright, close to film. The photos “tell” short stories, like short films, and the models become actors, their movements caught in freeze frame studies, between portrait and narrative. Sex is more explicit, while retaining some of the mystery characteristic of erotic images. A DVD, which comes with the book, contains several scenes from which the photos are taken, with extracts from the “Glimpse” DVD series and Stuart’s full length feature film, The Lost Door. The overall impression produced by this work is that Stuart has introduced eroticism into pornography, or vice versa. He clouds issues, confuses codes, disorientates and takes risks, all the while behaving as an artist who is exploring a new middle road – fusional, original and hard to follow, but promising. Somewhere between simplistic X-rated films and pure eroticism, between trivial reality and abortive dreams, he seeks and finds a third way, the royal way.

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A Beautiful Sexual Explosion!
This is Stuart’s fifth book from Taschen and the common denominator throughout is Stuart’s powerful, unique, erotic style. This collection of stills also includes a DVD that chronicles the action. This is striking because the photographs are not random snapshots but appear to follow the sexual encounters as their play out. And though the live action is spectacular .. the photographs are electrifying. The locations, wardrobe, makeup, and especially the flawless beauty of the models themselves give the work a forbidden quality – like a Vogue photoshoot gone wrong, where the models suddenly gave into their desires and started to grab and claw and ravish each other. Through Stuart’s camera we are allowed witness to each chaotic, sexual explosion. It’s the ultimate voyeur experience.

http://www.nitroflare.com/view/8FB337FF74EEE0F/Roy.Stuart.V.dvd.2008.avi

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Language(s):English & French
Subtitles:English

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As a movie-freak I get to see perhaps almost as many movies as an official critic and, like a critic, I am always looking for The One, the film that stands out from the (vast) crowd and makes you think you haven’t wasted any precious time in the watching. But more than that, the one that makes you feel a sense of gain, moving forward in some way, in your thinking or even in your perception of certain things. Only master film makers can make you feel like this, from Tarantino to Eastwood, from Jackson to Spielberg. Then of course you have the rogue directors, the rebels against convention who want to show you something different, not just for different’s sake but because they are themselves motivated and inspired by things most people haven’t yet approached or experienced. Bergman was such a director, as were the great Italians, Pasolini, Visconti and Fellini, and still we have Bertolucci. Now I find a New Yorker turned Parisian, whose work calls to mind some of these Masters, but through an influence that is subtle enough for it to be subconscious rather than a heavy handed copying of style and technique. Roy Stuart is a new comer to film but by no means to photography – erotic photography – the medium in which he has established himself thoroughly as a Master, admired and collected by large numbers of fans throughout the world. That he has turned from still photography to the moving kind is to our gain, as although young at the medium, he uses it with an almost equal mastery that he uses his still camera, and I don’t believe anyone seeing his first film, Giulia, will doubt that he will even surpass in film what successes he has achieved in the world of the erotic photographer. What Roy Stuart achieves – for me – in this first film is the remarkable quality of eroticism throughout, even when the subject before us is not apparently erotic at all….but it is, for him, and he passes that feeling on; it is for him present in the deepest Freudian sense, that is to say ever-present in all situations, in our very beings. And so after watching a work by Stuart one has the almost uncanny feeling that one has just been watching very close friends in their private moments…because what one has actually been watching is a glimpse into a part of oneself with which we haven’t necessarily been too familiar before. All great films make us feel this in different ways or measures and we can now welcome Roy Stuart into the great arena of those who make us more aware – as well as entertaining us in the extreme.

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From peek-a-boo panties to girl on girl petting to more “indiscreet” activities, Stuart’s titillating mises-en-scene challenge us to break loose from traditional moral codes. Also included is a rare interview with Stuart.

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Le collectionneur

La réalisation de son premier long métrage de fiction, The lost door, n’empêche pas Roy Stuart de poursuivre sa collection de Glimpses avec un nouvel opus, le neuvième de la série. Collection est bien le mot : hétéroclite et baroque, comme en un cabinet de curiosités. Ici, l’ordre des scènes importe peu. L’unité organique de l’ensemble est assurée par ce qu’il faut bien appeler la topique stuardienne. L’appartement haussmannien; les rues du quartier ; quelques villes européennes : autant d’éléments appartenant à l’espace obligé de sa dramaturgie. Le spectateur y retrouve quelques modèles déjà aperçus, des situations récurrentes se succédant de chapitre en chapitre et que sépare un sobre fondu au noir. L’action, en l’occurrence, retrouve les grands figures du cinéaste : masturbation au fauteuil, urologie, sexe sur le tapis ou dans les bois, semi exhibition dans la rue. Pas de récit – ou si peu – mais un enchaînement de l’ordre de la représentation, tant l’impression est forte pour le spectateur de se retrouver en terrain connu.

http://filepost.com/files/d41c9m1b/Roy_Stuart_-_Glimpse-Vol_9.avi

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Synopsis:
Jamie Gillis plays successful writer Paul and starving artist Phillipe both living in Paris. He is two people because he must balance a delicate sexual situation involving Frannie and Natasha. What makes OUTRAGEOUS more than watchable is the introduction of these two incredibly gorgeous newcomers to the world of explicit films. They are worth it. Lots of Paris footage and good production… Joey Silvera and Anna Ventura have a hot scene, shot about the time Joey was coming into his own as an adult film major name.

http://www.nitroflare.com/view/DE72AC145C8F181/Thats_Outrageous_1983.mkv

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